Bridgewood & Neitzert: an ode to stringed instruments in Hackney

This musical box of a store is one of the best sources for new and antique stringed instruments – and a repair shop with near magical powers

Gary Bridgewood, co-founder of Bridgewood & Neitzert
Gary Bridgewood, co-founder of Bridgewood & Neitzert | Image: Mark C O’Flaherty

Although the once beloved neighbourhood jazz club was turned into a fast-food joint years ago and the Hackney bohemians have long been replaced by double buggies and cupcake vendors, one fixture of old still remains on Church Street in London’s Stoke Newington: violin shop Bridgewood & Neitzert. “We moved here from Dalston over 20 years ago,” says co-founder Gary Bridgewood. The business began with four of us, all makers of stringed instruments. We used to have two workrooms above a drug dealer and eventually we bought this place from a local Greek entrepreneur who used to drive around in an open-top pink Cadillac.” 

A 17th-century Grancino violin, £50,000
A 17th-century Grancino violin, £50,000 | Image: mark c o’flaherty

The shop today is several things: it’s one of the UK’s best sources for new and antiquestringed instruments; it is also a repair shop and a restoration and reselling business. “I always have someone’s violin opened up at my bench,” says Bridgewood, “assessing it for repair or sale. We are the only specialists in London and one of just a few places in the world that repair baroque instruments; they have different shapes, angles and ridges, with raw gut instead of metal-covered strings.” The store also sells modern versions of classic Stradivarius violins (from around £8,500), as well as such specialised finishing touches as an Artonus quart violin case (£290) with a burgundy velvet interior, or some ruby-red Melos rosin (£16) to treat the hair on a bow. Pricing for repairs varies greatly – from £50 to £10,000. “I recently worked on an 18th-century Montagnana viola, which was a superb experience,” says Bridgewood. Many family heirlooms make their way to his bench and then the store’s shelves, but much footfall is also from orchestras and soloists.


The stock is as rarefied as fine jewellery, split between the work of modern makers and restored antiques. A 2016 baroque violin by Parisian maker Giovanna Chitto is £8,000, while a 17th-century Grancino costs £50,000. Some of the most extraordinary instruments sell for even more: a 1700s violin with an ornate back, attributed to the Gagliano family of Naples, is £70,000. “We often have modern English instruments on sale from the low thousands,” says Bridgewood. “Most people we employ are makers, and we represent them. Their violins sell from £5,000 to £11,000, and cellos go up to around £25,000. It takes about eight weeks to build an instrument.”


Much of what makes the store such a delight is its interior. There are three floors and the place looks like a magic realism novel brought to life – sumptuously detailed shelves and cabinets seem centuries old. Everything is, in fact, the work of late master joiner Michael White, who was invited to use the repair rooms and woodwork machines when they first moved in. “He said he’d like to do something for us first,” says Bridgewood. “He didn’t stop until he died. We salvaged a lot of oak and exotic woods from an industrial site, and he turned them into woodwork with incredible detail, including brackets in the shape of violins.” The store was a labour of love for White, reflecting the time and craft that goes into the instruments sold here today. 

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